tag:blogger.com,1999:blog-41860321587161287462024-03-05T11:17:10.158+01:00art in situ-mh richardINSTALLATIONS IN SITU - art in situ - art visuel- art environnemental - Land art - recycling - œuvre d'art -MARIE-HELENE RICHARDhttp://www.blogger.com/profile/15546914846656161520noreply@blogger.comBlogger122125tag:blogger.com,1999:blog-4186032158716128746.post-63832043336806737592020-03-11T13:57:00.003+01:002020-03-11T14:12:44.121+01:00<b><span style="font-family: "courier new" , "courier" , monospace; font-size: large;"><span style="font-size: large;"><a href="https://mariehelenerichard.wixsite.com/marie-helene-richard"><span style="color: blue;"><span style="font-size: x-large;">Nouveau website</span> / Cliquez ici / Click here</span></a></span></span></b><br />
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MARIE-HELENE RICHARDhttp://www.blogger.com/profile/15546914846656161520noreply@blogger.com0tag:blogger.com,1999:blog-4186032158716128746.post-21183023996852842019-09-28T10:43:00.001+02:002019-09-28T11:12:50.006+02:00Le Bal<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKqGVHRj3Kj6DrtQqWgknCKf-CcuaoihSEAJlAfItUe9bI5nu-9lZ9XgsXLLzQTrGcSEJi_ooiG2M2Qu73-1u3_9BHBnoop5samxJw89xbTk_v7d2yzafcUKxYU0YI95oglFGVzT6vOGs/s1600/21-le-bal.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1031" data-original-width="715" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKqGVHRj3Kj6DrtQqWgknCKf-CcuaoihSEAJlAfItUe9bI5nu-9lZ9XgsXLLzQTrGcSEJi_ooiG2M2Qu73-1u3_9BHBnoop5samxJw89xbTk_v7d2yzafcUKxYU0YI95oglFGVzT6vOGs/s400/21-le-bal.jpg" width="276" /></a></div>
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<span style="font-family: Verdana, sans-serif;"><span style="font-size: x-small;"><span style="font-family: "Trebuchet MS", sans-serif;">Coauteurs: Marie-Hélène Richard et Nathan Crouzet, architecte</span></span></span><br />
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<span style="font-family: Verdana, sans-serif;"><span style="font-family: Avenir;"><span style="font-family: "Trebuchet MS", sans-serif;"><span style="font-size: x-small;">Le Bal est un sanctuaire pour que se retrouvent
les humains et les oiseaux. Alors que la frénésie du rendement qui
provoque notre chute continue de plus belle, La sixième extinction
de masse nous guette. Le Bal cercle un espace pour s’arrêter de
courir, se poser sur les rondins bruts et se rendre compte que nous
appartenons à la grande cathédrale végétale de la forêt et non
le contraire. Au dessus du cercle massif, dans le monde aérien des
oiseaux, dont un tiers a disparu du paysage, l’auréole dorée
délicatement suspendue est dédiée aux nidifications à venir au
printemps prochain, afin qu’ils cessent de devenir de plus en plus
silencieux. L’installation s’empare d’une symbolique
religieuse qui du présent nous fait retourner vers des rites plus
anciens où entrait en jeu une symbiose entre l’homme et son
milieu.</span></span></span></span></div>
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<span style="font-family: Verdana, sans-serif;"><span style="font-family: Avenir;"><span style="font-family: "Trebuchet MS", sans-serif;"><span style="font-size: x-small;">LE BAL EST UNE ŒUVRE DU <b><span style="color: #3d85c6;"><span style="color: #3d85c6;"><a href="https://www.paris-normandie.fr/rouen/foret-monumentale--l-exposition-d-oeuvres-geantes-attend-les-visiteurs-en-foret-verte-pres-de-rouen-KD15610820" target="_blank">PARCOURS LA FORET MONUMENTALE </a></span></span></b></span></span></span></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;"><span style="font-family: Verdana, sans-serif;"><span style="font-size: x-small;">L’œuvre est essentiellement en bois. Un
cercle suspendu de 6m de diamètre accueille les nichoirs conçus
pour abriter différentes espèces d’oiseaux. L’ensemble est en
contre-plaqué peint et reste démontable. La suspension s’accroche
en un seul point grâce à un jeu de cordages fixés par épissures
sur des billes de chêne façonnées au tour.</span><span style="font-size: x-small;"> Au
sol, Les morceaux de fûts proviennent des alentours, hêtres et pins
et chênes stockés par l’Office National des Forêts qui gère la
Forêt Verte.</span></span>
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<span style="font-family: Verdana, sans-serif;"><span style="font-family: "Trebuchet MS", sans-serif;"><span style="font-size: x-small;">Les 48 cabanes à oiseaux placées à l'intérieur et à l'extérieur du cercle possèdent des aménagements intérieurs différents,
conçus spécialement pour accueillir les mésanges, les sittelles
torche-pot, les chouettes chevêches et les rouges-gorges présents
dans la forêt. A noter que s’il est judicieux de placer de tels
habitats pour les oiseaux, car il y a un grand déficit en cavités
naturelles dû à l’élimination zélée des arbres morts, Il est
en revanche fortement déconseillé de leur fournir à manger car la
nourriture en réserve est source de parasites.</span><span style="font-size: x-small;"> </span></span></span></div>
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<br />MARIE-HELENE RICHARDhttp://www.blogger.com/profile/15546914846656161520noreply@blogger.com1tag:blogger.com,1999:blog-4186032158716128746.post-32926328579947867482019-07-25T18:33:00.003+02:002019-07-26T11:53:24.085+02:00Paysage Intérieur<span style="font-size: x-small;"><span style="font-family: "trebuchet ms" , sans-serif;">"Paysage Intérieur", "Absence" et "Fleur de Gigi" sont trois installations visibles au<span style="color: #3d85c6;"> <span style="color: #0b5394;"><a href="https://www.puisaye-tourisme.fr/patrimoine-culturel/centre-regional-dart-contemporain/" target="_blank"><u><span style="color: blue;">Centre Régional d'Art Contemporain du Tremblay </span></u></a></span></span>dans l'Yonne jusqu'au 31 octobre.</span></span><br />
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<span style="font-size: x-small;">La longue salle séquencée
par sa massive charpente devient la partition où l’œuvre s’écrit.
Le sol lisse et d’un seul tenant a attiré le regard de l’artiste
qui a pensé à une écriture noire résonnant avec la nature dans
une géométrie de codes graphiques représentant « arbres,
montagnes, rivières ». Dans un geste simple, c’est
l’ensemble d’un paysage qui prend place à l’intérieur de
l’espace clos. </span>
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<span style="font-size: x-small;"><br /></span></div>
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<span style="font-size: x-small;">L’écriture
se fait dessin qui enchaîne les descriptions en un unique trait.</span></div>
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<span style="font-size: x-small;">Le
dessin se fait volume et la corde suspendue passe du sol au vide.</span></div>
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<span style="font-size: x-small;">Le
volume devient paysage et nous environne dans un changement
d’échelle.</span></div>
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<span style="font-size: x-small;"><br /></span></div>
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<span style="font-size: x-small;">Le
passage de la forêt à la montagne puis à l’idée de l’eau
s’opère dans une continuité jusque dans l’escalier qui nous
amène aux ombres profondes de la Terre.</span><span style="font-size: x-small;">Les
branches noires se fondent aux cordes du même diamètre, cordes
souples longues de trente mètres qui de suspensions en méandres
dessinent l’ensemble de l’installation. </span><br />
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<span style="font-size: x-small;"> </span>
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<style type="text/css">p { margin-bottom: 0.25cm; direction: ltr; color: rgb(0, 0, 0); line-height: 115%; text-align: left; background: transparent none repeat scroll 0% 0%; }p.western { font-family: "Trebuchet MS", serif; font-size: 12pt; }p.cjk { font-family: "MS 明朝"; font-size: 12pt; }p.ctl { font-family: "Times New Roman"; font-size: 12pt; }</style>MARIE-HELENE RICHARDhttp://www.blogger.com/profile/15546914846656161520noreply@blogger.com0tag:blogger.com,1999:blog-4186032158716128746.post-34994104624626031522019-07-25T07:58:00.002+02:002019-07-26T11:37:35.765+02:00Absence<div class="separator" style="clear: both; text-align: center;">
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<span style="font-size: small;"><span style="font-family: "Trebuchet MS", sans-serif;"><span style="font-size: x-small;"><span style="font-family: "Trebuchet MS", sans-serif;"><span style="font-size: xx-small;">Devant la porte de la tour, une consigne:
éteindre avant d’entrer.</span><span style="font-size: xx-small;"> Les
choses s’inversent et la nuit nous révèle une surprise
luminescente. Une
chaise absorbe tout l’espace autour d’elle. En faisant le tour,
on ne voit aucune source de lumière, uniquement cet objet irradiant
une couleur mentholée comme unique repère, le reste de la pièce
circulaire étant plongé dans un noir intense et sans limites.</span></span></span></span></span></div>
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<span style="font-size: small;"><span style="font-family: "Trebuchet MS", sans-serif;"><span style="font-size: x-small;"><span style="font-family: "Trebuchet MS", sans-serif;"><br /></span></span></span></span></div>
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<span style="font-size: small;"><span style="font-family: "Trebuchet MS", sans-serif;"><span style="font-size: x-small;"><span style="font-family: "Trebuchet MS", sans-serif;"><span style="font-size: xx-small;"><span style="color: blue;"><a href="https://www.puisaye-tourisme.fr/patrimoine-culturel/centre-regional-dart-contemporain/" target="_blank">Centre Régional d'Art contemporain du Tremblay</a></span>, dans l'Yonne jusqu'au 31 octobre</span></span></span></span></span></div>
<style type="text/css">p { margin-bottom: 0.25cm; direction: ltr; color: rgb(0, 0, 0); line-height: 115%; text-align: left; background: transparent none repeat scroll 0% 0%; }p.western { font-family: "Trebuchet MS", serif; font-size: 12pt; }p.cjk { font-family: "MS 明朝"; font-size: 12pt; }p.ctl { font-family: "Times New Roman"; font-size: 12pt; }</style>MARIE-HELENE RICHARDhttp://www.blogger.com/profile/15546914846656161520noreply@blogger.com0tag:blogger.com,1999:blog-4186032158716128746.post-30095297470820955122019-07-24T16:55:00.001+02:002019-07-26T14:39:45.036+02:00Rosæ Romanæ <div class="separator" style="clear: both; text-align: center;">
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<span style="font-size: x-small;"><span style="font-family: "trebuchet ms" , sans-serif;"><span style="border: none; display: inline-block; padding: 0cm;">Dans le Minervois, pour la première édition du <a href="http://www.cru-la-liviniere.com/wp-content/uploads/2019/06/CARNET-livin-art.pdf" target="_blank"><u><span style="color: #0b5394;">parcours Livinart</span></u></a> imaginé pour
commémorer</span>
les vingt ans de l’appellation du Cru La Livinière et célébrer
son terroir d’exception, le site de la Chapelle Notre-Dame de
Centeilles et le<a href="http://www.closcenteilles.com/" target="_blank"> <u><span style="color: #0b5394;">Clos Centeilles</span></u></a> accueillent Rosæ Romanæ.</span></span></div>
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<a href="https://www.blogger.com/null" name="_GoBack"></a>
<span style="font-family: "arial" , serif;"><span style="font-size: x-small;">Interpellée
par la présence sur le site de roses sculptées dans la pierre noire
d’Agde des chapiteaux visibles devant l’église et, d’autres
part, des roses peintes sur les fresques, Marie-Hélène Richard a
interprété leur présence comme petites traces symboliques
auxquelles Rosæ Romanæ rend hommage. Dans ce paysage
exceptionnel, culture et nature ne s’oppose pas, mais compose dans
le respect et la permanence. Surgies du puit, comme soufflées par le
vent, finement découpés et assemblées, ces roses sont réalisées
dans des sac en plastiques. Recyclées dans cette forme florale et
poétique, offrande de douceur et d’amour, elles témoignent de la
brièveté de la vie et de la fragilité du monde. </span></span><br />
<span style="font-size: x-small;"><span style="font-family: "trebuchet ms" , sans-serif;">Les
œuvres de la série Rosæ Plasticæ font l’objet d’installations
depuis l’an 2000.</span></span><br />
<span style="font-family: "arial" , serif;"><span style="font-size: x-small;">
</span></span><br />
<span style="font-size: x-small;"><span style="font-family: "trebuchet ms" , sans-serif;">Commissariat et texte: Marie-Caroline Allaire-Matte</span></span><br />
<span style="font-family: "arial" , serif;"><span style="font-size: x-small;"><style type="text/css">p { margin-bottom: 0.25cm; direction: ltr; line-height: 115%; text-align: left; background: transparent none repeat scroll 0% 0%; }p.western { font-family: "Trebuchet MS", serif; font-size: 12pt; }p.cjk { font-size: 12pt; }p.ctl { font-size: 12pt; }a:link { color: rgb(5, 99, 193); text-decoration: underline; }</style> </span></span><br />
<span style="background-color: white;"><span style="font-family: "arial" , serif;"><span style="font-size: x-small;"><style type="text/css">p { margin-bottom: 0.25cm; direction: ltr; line-height: 115%; text-align: left; background: transparent none repeat scroll 0% 0%; }p.western { font-family: "Trebuchet MS", serif; font-size: 12pt; }p.cjk { font-size: 12pt; }p.ctl { font-size: 12pt; }a:link { color: rgb(5, 99, 193); text-decoration: underline; }</style> </span></span></span></div>
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<style type="text/css">p { margin-bottom: 0.25cm; direction: ltr; color: rgb(0, 0, 0); line-height: 115%; text-align: left; background: transparent none repeat scroll 0% 0%; }p.western { font-family: "Trebuchet MS", serif; font-size: 12pt; }p.cjk { font-family: "MS 明朝"; font-size: 12pt; }p.ctl { font-family: "Times New Roman"; font-size: 12pt; }</style>MARIE-HELENE RICHARDhttp://www.blogger.com/profile/15546914846656161520noreply@blogger.com0Le Tremblay, 89520 Fontenoy, France47.650913 3.297183000000018247.645564500000006 3.2870980000000181 47.6562615 3.3072680000000183tag:blogger.com,1999:blog-4186032158716128746.post-24824187404442501302019-07-24T14:01:00.001+02:002019-07-26T16:45:37.469+02:00MESURE Mont Aïgoual<div class="separator" style="clear: both; text-align: center;">
<span style="font-family: "trebuchet ms" , sans-serif;">pour le parcours<span style="color: blue;"><span style="background-color: #999999;"><u><span style="color: #3d85c6;"><span style="color: blue;"><span style="color: blue;"><a href="https://www.lafilaturedumazel.org/parcours-land-art-les-balcons-de-l-aigoual/"><span style="color: #3d85c6;"> </span><span style="color: blue;"><span style="color: #3d85c6;">Les balcons de l'aïgoual,</span> </span></a></span></span></span></u></span></span></span><a href="https://www.lafilaturedumazel.org/parcours-land-art-les-balcons-de-l-aigoual/"><br /></a><span style="font-family: "trebuchet ms" , sans-serif;"><span style="font-family: "trebuchet ms" , sans-serif;">Prendre la mesure du temps dans un geste organique.</span></span></div>
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Observatoire météorologique du Mont Aïgoual, Cévennes</div>
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<span style="font-family: "trebuchet ms" , sans-serif;">Sur la crête au sommet du mont, exposée aux vents extrêmes, aux pluies, au gel, l'œuvre est toute entière conçue dans ce sens: résister.</span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">L’aspect rigoureux de la science est présent dans la régularité des rayures noires et blanches, dans la numération et l’étiquetage, les manches à air fabriquées à partir de tissu de coton et gaules de noisetier indiquent le sens du vent et sa force. Les formes brutes et la facture primitive de l’œuvre nous renvoient quant à elles à l’animalité, à la force du vent et à la nature qui nous entoure. </span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">De grosses branches trouvées sur les flancs du mont, assemblées entre elles, s’arque-boutent pour soutenir les 12 manches à air qui jalonnent le temps, en effet, au pied de chacune, une plaque indique </span><span style="font-family: "trebuchet ms" , sans-serif;"><span style="font-family: "trebuchet ms" , sans-serif;"><span style="font-family: "trebuchet ms" , sans-serif;">de 10 ans en 10 ans </span></span>les mesures extrêmes relevées depuis depuis 1894</span><span style="font-family: "trebuchet ms" , sans-serif;">, année des premières observations météorologiques sur l’Aïgoual. La dernière gaule est noire et nue car elle marque la fin prochaine des relevés exécutés par l’homme dans ce haut lieu de la météorologie depuis 120 ans. </span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">l'œuvre est réalisée en matériaux biodégradables conformément à la demande du Parc National des Cévennes. </span></div>
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<br />MARIE-HELENE RICHARDhttp://www.blogger.com/profile/15546914846656161520noreply@blogger.com0tag:blogger.com,1999:blog-4186032158716128746.post-71423977734001194612019-05-19T11:33:00.000+02:002019-07-24T09:46:36.153+02:00La Cueilleuse d'eauDans cette tour à ciel ouvert du château de Châteaubriant (Loire-Atlantique), l'œuvre permet de récolter la pluie. L'arborescence des rigoles de bambou conduit l'eau dans une dame-jeanne contenant soixante litres. Au fil des semaines, le temps sec ou humide jouera avec le niveau de remplissage de la bonbonne de verre. L'image qui m'est venue au départ est celle de l'ex-toit de la tour qui s'inverse pour devenir entonnoir. On peut aussi rappeler que par le passé, la tour de la Torche fut remplie de terre et qu'un tilleul y a grandi, les racines prises dans ce pot géant.<br />
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Visible tout l'été à Châteaubriant dans le cadre de Landes' Art 2019.<br />
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<br />MARIE-HELENE RICHARDhttp://www.blogger.com/profile/15546914846656161520noreply@blogger.com1tag:blogger.com,1999:blog-4186032158716128746.post-13175174460189732982018-09-05T16:02:00.000+02:002018-09-05T16:02:00.061+02:00Assise<div class="separator" style="clear: both; text-align: center;">
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<span style="font-size: small;"><span style="font-family: "Avenir Light";">Bois mort, sapin, hêtre, essences diverses,
pierres juin/oct</span></span></div>
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<span style="font-size: small;"><span style="font-family: "Avenir Light";">Les chemins ouvrent loin des villes la voie
à un autre rythme, à une autre vision de la vie où les pierres les arbres et
les ciels omniprésents font partie de l’expérience physique du face à face avec
la nature. </span></span></div>
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<span style="font-size: small;"><span style="font-family: "Avenir Light";"><br /></span></span></div>
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<span style="font-size: small;"><span style="font-family: "Avenir Light";">Assise faite de bois et de branches s’affine
et s’élève vers le ciel, arbre redevenue. Admirer cette vue depuis l’assise aux
dimensions d’un trône, car le paysage est immense. La pause devient aussi bien
physique que mentale. <span> </span>Se laisser
environner par l’air parfumé, sentir le soleil, ouvrir l’oreille aux sons,
regarder... Le promeneur est assis et regarde le paysage, plans par plans,
depuis la crête toute proche à droite où tintent les clochettes des brebis, la
vallée en face, berceau de l’Hérault et au lointain à gauche, derrière le pic
Saint Loup qui accroche la lumière, les plates étendues blanches des étangs et
de la Méditerranée. </span></span></div>
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<span style="font-size: small;"><span style="font-family: "Avenir Light";"></span></span><span style="font-family: "Avenir Light";"><span style="font-size: small;">Parcours Land-Art les Balcons de l'Aïgoual organisé par la Filature du Mazel.</span></span></div>
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<span style="font-family: "Avenir Light";"><span style="font-size: small;">Photo noir et blanc: Felix Broede </span></span></div>
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<br />MARIE-HELENE RICHARDhttp://www.blogger.com/profile/15546914846656161520noreply@blogger.com0tag:blogger.com,1999:blog-4186032158716128746.post-9884620161192319692018-05-31T16:33:00.000+02:002018-05-31T16:46:41.663+02:00Seconde Nature Vivacité <span style="color: cyan;"><span style="font-size: large;">/</span><span style="color: cyan;"><a href="http://www.apollonia-art-exchanges.com/fr/" target="_blank">Apollonia, centre d'art et d'échanges européens</a></span><span style="font-size: large;"> /</span> </span>Strasbourg / jusqu'en septembre<br />
avec Emmaüs/Scherwiller <br />
<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjR6-lsspCNbvAMjG_R_99yDKpVEcGQ0pg9O5pmTilTd21LmTMvW5a-PdTlvgdEDTFSAT-avY4kkEa8kMWeEjHJZZ-lLu0JydayQP-TvyqyJpYaO9EahTNKTTPpV04W5lncdkcvNOcA5uY/s1600/Seconde-Nature-MH-Richard2018-3.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="787" data-original-width="1181" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjR6-lsspCNbvAMjG_R_99yDKpVEcGQ0pg9O5pmTilTd21LmTMvW5a-PdTlvgdEDTFSAT-avY4kkEa8kMWeEjHJZZ-lLu0JydayQP-TvyqyJpYaO9EahTNKTTPpV04W5lncdkcvNOcA5uY/s640/Seconde-Nature-MH-Richard2018-3.jpg" width="640" /></a></div>
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<div class="MsoNormal" style="text-align: justify;">
<span style="font-size: small;">Les meubles anciens de « seconde nature » voient
s’achever un cycle, celui où ils représentaient une valeur marchande et
affective. Les économies de toute une vie ont peut-être servi à acheter l’imposante
armoire de la grand-mère. Ne renferme-t-elle pas les souvenirs des piles de
draps ? Combien de copies à corriger sont-elles passées dans le bureau du
maître d’école ? Quels secrets ont séjourné enfouis dans le tiroir de la
table de nuit ?</span></div>
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<span style="font-size: small;">
</span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-size: small;">Dans les stocks des Compagnons d’Emmaüs, le turn-over est
rapide : salle de vente puis entrepôt puis benne et destruction au bout de
quelques semaines pour ces meubles passés de mode. Pourtant l’état est correct,
la facture est belle et les patines à la cire ne redemanderaient qu’un coup de
chiffon pour retrouver le lustre du passé.</span></div>
<div style="text-align: justify;">
<span style="font-size: small;">
</span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-size: small;">Mais la frénésie de la nouveauté à pris le dessus et le
verbe consommer se décline à tous les temps. Alors que faire de ces meubles en
bois, contenants, tiroirs, coffres et étagères qui ne contiennent plus que le
vide qui balaye les souvenirs ?</span></div>
<div style="text-align: justify;">
<span style="font-size: small;">
</span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-size: small;">Opérer à un retour à la nature qui passe par un autre usage.
Le meuble est choisi pour les volumes vides qu’il offre, il sera jaugé,
manipulé et positionné de manière à pouvoir s’assembler et contenir de la terre.
Il n’est plus meuble, il est devenu support de plantation. Ainsi dans le monde actuel, les meubles se jettent alors que
le végétal s’achète… Qu’en aurait pensé nos arrières grands-parents ?</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_xCZfnLRNYE_wvLmYCH9CppUjx04EtKHc0jkZjH4QkWXdFQihsT0N0v8siCj6ROnz9_Av1VlAHGAo3B7hmOXmZez8eLazOYocqIFL_soeCO0yAq91hewMGhWD4PmUhA18o9GMTuibX8o/s1600/Seconde-Nature-MH-Richard2018-30.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1192" data-original-width="787" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_xCZfnLRNYE_wvLmYCH9CppUjx04EtKHc0jkZjH4QkWXdFQihsT0N0v8siCj6ROnz9_Av1VlAHGAo3B7hmOXmZez8eLazOYocqIFL_soeCO0yAq91hewMGhWD4PmUhA18o9GMTuibX8o/s400/Seconde-Nature-MH-Richard2018-30.jpg" width="263" /></a></div>
<br />
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<span style="font-size: small;">Les plantes sélectionnées par l’artiste proviennent d’une
jardinerie située au cœur d’une zone commerciale qui vend des centaines de
plantes allant de l’arbre au cactus et qui accueille la foule des jardiniers
amateurs qui ont besoin de ce contact avec le végétal pour se faire du bien. En
effet, notre relation au végétal est en pleine mutation et elle devient comme vitale
dans un monde aux valeurs virtuelles en pleine ascension.</span></div>
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<span style="font-size: small;">
</span></div>
<div style="text-align: justify;">
<span style="font-size: small;">
</span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-size: small;">C’est une nature mixée qui a pris place dans « Seconde
nature », les arbustes d’extérieur côtoient les médicinales et les plantes
d’intérieur se mélangent aux graminées et aux succulentes… En dehors de leur
aspect visuel, certaines plantes sont choisies pour un nom qui les humanise,
Innocence, Schizophragma … d’autres le sont pour leur nature aromatique
particulière, un thym au parfum de cumin, une armoise qui fleure le coca-cola,
un géranium mentholé … </span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsmFBau002mlkDrPbjZpfCEc8ZCkG8518P_V-dAU_CQ3-fVTMR0kXY7UopXB4NDOiJr0A0uoF_2R54nffJyRWsd1uj9ButktF_2JVL-56K5gLO9CtoI9kIFBTGirmrVf9JTu8IISrrYUM/s1600/Seconde-Nature-MH-Richard2018-14.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="787" data-original-width="1181" height="133" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsmFBau002mlkDrPbjZpfCEc8ZCkG8518P_V-dAU_CQ3-fVTMR0kXY7UopXB4NDOiJr0A0uoF_2R54nffJyRWsd1uj9ButktF_2JVL-56K5gLO9CtoI9kIFBTGirmrVf9JTu8IISrrYUM/s200/Seconde-Nature-MH-Richard2018-14.jpg" width="200" /></a></td></tr>
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</tbody></table>
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<br />
<div style="text-align: center;">
<span style="font-size: small;">Enfin, l’artiste a tenu à la présence de plantes de
grand-mère comme la misère, l'asparagus et le cactus de Noël qui trônait sur la
commode chez Mémé Lina. </span></div>
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<br />MARIE-HELENE RICHARDhttp://www.blogger.com/profile/15546914846656161520noreply@blogger.com0tag:blogger.com,1999:blog-4186032158716128746.post-81255381860838781122018-05-27T18:35:00.001+02:002018-05-27T18:35:25.696+02:00Anémochores, Metz<span class=" _2iem" role="heading">bambou peint</span><br />
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<span class=" _2iem" role="heading">D'origine végétale,
ces graines géantes venues d'on ne sait où se propagent tout en
légèreté, volent, s'accrochent aux arbres. Elles sont inspirées du
manifeste de Gilles Clément "le jardin en mouvement" qui préconise le
développement libre des plantes, en particulier par le déplacement des
graines grâce au vent. Dans les Jardins du Domaine du Rayol conçus par
ce paysagiste précurseur, "Anémochores"se parcourait comme une promenade
de graine en graine. L'année passée, les graines géantes ont envahi les
bords de l'Erdre à Nantes, s'accumulant au passage des ponts... Pour
cette troisième création de la série "Anémochores", au dessus du square Gallieni, dans la belle ville de Metz, les 21 modules de
bambou se parent d'un jaune éclatant qui leur donne un caractère
lumineux. La couleur réchauffe et s'accorde au vert des arbres
environnants.</span><br />
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<span class=" _2iem" role="heading"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCSstmD90yAuhVzV9ncX5atd6gAItRs0-zczrUK8aSpIYK82Je-1w_KY91R5r1dV-RL2-hI3xLpx6oUEMukrltZfPC5ekX12xCg2W_P9R49pZUw4vvX6fuZkD3tECpihof8bNqo7Zn0o8/s1600/mail_mhr-anemochores+09.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="863" data-original-width="630" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCSstmD90yAuhVzV9ncX5atd6gAItRs0-zczrUK8aSpIYK82Je-1w_KY91R5r1dV-RL2-hI3xLpx6oUEMukrltZfPC5ekX12xCg2W_P9R49pZUw4vvX6fuZkD3tECpihof8bNqo7Zn0o8/s400/mail_mhr-anemochores+09.jpg" width="291" /></a></span></div>
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<span class=" _2iem" role="heading">Réalisée dans le cadre de "L'art dans les jardins" avec le Service des Espaces Verts</span></div>
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<span class=" _2iem" role="heading">Visible jusqu'en septembre 2018 </span></div>
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MARIE-HELENE RICHARDhttp://www.blogger.com/profile/15546914846656161520noreply@blogger.com0tag:blogger.com,1999:blog-4186032158716128746.post-7171524501988058832018-04-21T09:16:00.001+02:002018-05-27T18:01:46.062+02:00Petites bulles en chemin<br />
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<span style="font-size: large;"><span style="font-family: "avenir light";">Pépinière Lepage Bord de Mer, Lannion</span></span></div>
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<span style="font-family: "avenir light"; font-size: 11.0pt;">pvc argenté, tresse de pêche, dyneema</span></div>
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<span style="font-family: "avenir light"; font-size: 11.0pt;">Qui croirait que nous
sommes au beau milieu de la pépinière ? </span></div>
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<span style="font-family: "avenir light"; font-size: 11.0pt;">Les pas suivent tout droit
la longue perspective creuse du chemin ombragé aux côtés d’une luxuriante végétation.
Invités à s’évader dans l’harmonie de ce jardin inattendu nous découvrons une
grande écharpe de bulles arrêtées dans le vide au-dessus de nos têtes, tantôt
dansantes dans le vent, tantôt immobilisées en apesanteur.</span></div>
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<span style="font-family: "avenir light"; font-size: 11.0pt;">Les boules brillantes,
gouttes de lumière, nous entrainent en dessous d’elles à descendre le chemin
dans une<span style="mso-spacerun: yes;"> </span>ébullition « à petits
bouillons » de l’esprit. </span></div>
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<span style="font-family: "avenir light"; font-size: 11.0pt;">L’œuvre vient renforcer
l’idée de longueur dans le chemin, visuellement grâce à la taille dégressive
des bulles, mais aussi mentalement car elle force à ralentir, à lever les yeux
et se laisser envahir par les éclats de lumière environnés de feuillages. </span></div>
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<span style="font-family: "avenir light"; font-size: 11.0pt;">En prenant vraiment le
temps de regarder, on voit que chaque bulle contient dans son reflet l’ensemble
du paysage. </span></div>
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-->MARIE-HELENE RICHARDhttp://www.blogger.com/profile/15546914846656161520noreply@blogger.com0tag:blogger.com,1999:blog-4186032158716128746.post-91674915965457010092018-04-17T16:38:00.001+02:002018-09-05T17:51:39.772+02:00IF<div class="separator" style="clear: both; text-align: left;">
<span style="font-size: small;"><span style="font-size: medium;">Diptyque pour le parcours Landes'Art </span></span></div>
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<span style="font-size: small;"><span style="font-size: medium;">chemin de Suez, ZAD et Notre-Dame-des-Landes</span><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipLTr70vJ8d5J83m6MhfNJIUWs4YjJz5D-U_XfA64TnDYWE1kkbc97OBcjA_2x3ZGr4LYG7vTyvCiG9CCHJkkYDhQC9aiOJIhbM2S8oEsQB5kr4bmTuHw-G6L0HTyEiEuCe-_4mI9fFeg/s1600/IF+34.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;">
</a></span></div>
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<span style="font-family: "avenir light"; font-size: small;">Le projet est né
en janvier 2018, alors que pesait encore la question du devenir de Notre-Dame-des-Landes</span><span style="font-family: "avenir light"; font-size: small;"><span style="font-family: "avenir light"; font-size: 10.0pt;">*</span>. L’idée de planter un arbre est venue comme une évidence contre le projet d'aéroport.</span><span style="font-family: "avenir light"; font-size: small;"> </span><br />
<span style="font-family: "avenir light"; font-size: small;">L’œuvre qui se développe sur deux sites distants de 4 km est constituée de deux cyprès chauve**, branches de chêne brute, branches de diverses essences peintes, fer à béton, sable, boue, terre. </span><br />
<span style="font-family: "avenir light"; font-size: small;">Le titre porte le nom d'un autre arbre, l'if, et contient le phonème anglais du conditionnel "si"... </span><br />
<span style="font-family: "avenir light"; font-size: small;"> </span><span style="font-size: small;">
</span></div>
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<span style="font-family: "avenir light"; font-size: small;">IF part1:</span><br />
<span style="font-family: "avenir light"; font-size: small;">L’enroulement de la
spirale autour du jeune taxodium lui crée une protection qui s’effacera avec le
temps alors que l’arbre prendra de la hauteur. Les visiteurs qui
veulent approcher le Futur-grand-arbre ont un long chemin à parcourir, un
moment où le temps se compte différemment... un moment présent qui projette
vers le futur. Destinée à rester dans le paysage, cette œuvre court le danger d'être détruite si la Zad disparaît. </span><br />
<span style="font-family: "avenir light"; font-size: small;"><br /></span>
<span style="font-family: "avenir light"; font-size: small;">IF part2: </span><br />
<span style="font-family: "avenir light"; font-size: small;">Cet autre cyprès, frère jumeau du premier est planté sur le parcours pérénisé de longue date "Landes'Art". L'arbre est couronné d'un anneau flottant de branches bleues. Cette image légère et éphémère contraste avec avec l'autre partie dans la forme comme dans le fond. A la fin de la saison, le cyprès bien ancré en terre va retrouver son statut de "simple arbre"laissant libre le terrain.</span></div>
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<span style="font-family: "avenir light"; font-size: small;">* </span><span style="font-family: "avenir light"; font-size: small;">Sur la terre 9.500 m2 de terres
arable disparaissent </span><span style="font-family: "avenir light"; font-size: small;"><span style="font-family: "avenir light"; font-size: 10.0pt;">CHAQUE SECONDE</span>, soit près d'un hectare, du fait de la dégradation de l'environnement de l'industrialisation et
de l'urbanisation... </span><br />
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<span style="font-family: "avenir light"; font-size: small;">**Le
<span style="mso-bidi-font-weight: bold;">Cyprès chauve</span>, ou <span style="mso-bidi-font-weight: bold;">Cyprès de Louisiane</span> (<span style="mso-bidi-font-style: italic; mso-bidi-font-weight: bold;">Taxodium distichum</span>)
est une espèce remarquable par son adaptation aux milieux humides.</span><br />
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<span style="font-family: "avenir light"; font-size: 10.0pt;"><span style="font-size: large;">Video:</span> </span></div>
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If part1</div>
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If part1 cet été</div>
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If part2 photos ©Valérie Pinard</div>
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If part2; cyprès chauve</div>
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<br />MARIE-HELENE RICHARDhttp://www.blogger.com/profile/15546914846656161520noreply@blogger.com0tag:blogger.com,1999:blog-4186032158716128746.post-21002913062189857922017-12-04T17:42:00.003+01:002017-12-04T17:42:28.877+01:00Rêver l'Erdre
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<span style="font-size: small;"><span lang="FR" style="font-family: "Avenir Book";">De juin à septembre 2017, l’Erdre est
une rivière à l’honneur avec une promenade jalonnée par une dizaine
d’installations in situ. </span></span></div>
<span style="font-size: small;"></span><div class="MsoNormal" style="text-align: justify;">
<span style="font-size: small;"><span lang="FR" style="font-family: "Avenir Book";">La mairie de Nantes a créé cet
événement pour annoncer le projet « Etoile Verte » qui va consister à
mettre en réseau les coulées vertes et les Parcs et Jardins avec le concours de
grands paysagistes comme Gilles Clément et Tim Smit.</span></span></div>
<span style="font-size: small;"></span><div class="MsoNormal" style="text-align: justify;">
<span style="font-size: small;"><span lang="FR" style="font-family: "Avenir Book";">Dans le centre-ville, la rivière est
bordée d’espaces humides boisés donnant furtivement l’impression d’être en
pleine nature. Ce site exceptionnel est le théâtre d’une intense circulation de
promeneurs, sportifs, vélos, piétons urbains mais aussi avirons et autres
bateaux de promenade. Les installations qui font corps avec le lieu, donnent l'envie de
ralentir ou s’arrêter pour que l’œil se porte vers la rivière paisible.</span></span></div>
<span style="font-size: small;"></span><br /><div class="MsoNormal" style="text-align: justify;">
<span style="font-size: small;"><span lang="FR" style="font-family: "Avenir Book";">Faites majoritairement de matériaux
naturels (les branches et rondins de bois proviennent de l’entretien des arbres
nantais) et de miroirs, les installations ne se servent pas des plus jolis
coins de la rivière comme d’un écrin mais viennent souvent se frotter à des
éléments forts comme les ponts, quais et passerelles.</span></span>
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--></style><span style="font-size: small;"><span lang="FR" style="font-family: "Avenir Book";">REVER et ERDRE font partie des rares
mots en forme de palindrome. Au fur et à mesure qu’on les lit on revient sur
ses pas dans une parfaite symétrie.</span></span><span style="font-size: small;"><span lang="FR" style="font-family: "Avenir Book";"> Il en va ainsi de ce parcours d’une
rive à l’autre où certaines œuvres sont pensées pour être lues à l’aller puis
au retour. </span></span><span style="font-size: small;">
</span></div>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqk54z65Rtl6RzM4k1v7M3A_VegUlqWPboobEePhmFTCR4m_FoJ6UeWuYwxfSouzIjUSaGuokQjvjQsEYaz1WRCn1XfG6Y9PLU6qSrw8NZMIAzEBJxyxiEJIdeTyQ8ky5N6bWUm_6jDn4/s1600/1.2+rever+erdre.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="787" data-original-width="1181" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqk54z65Rtl6RzM4k1v7M3A_VegUlqWPboobEePhmFTCR4m_FoJ6UeWuYwxfSouzIjUSaGuokQjvjQsEYaz1WRCn1XfG6Y9PLU6qSrw8NZMIAzEBJxyxiEJIdeTyQ8ky5N6bWUm_6jDn4/s400/1.2+rever+erdre.JPG" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;">Anémochores (bambous) et écriture miroir (pérenne) cliché R.A.</span></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg96j_ET0jIOZgL9IVSW7DVAJnJDIzAHPPD-EGvAasULbf4lSGIbif5IvAQqTfljGfXEKxE1aESYpHmaWg9MXGFNNyVM2-mKaBMaAz9zLyEcydLNh5p7ODPnHgXaCtK9r3yuZgMWIZn9_g/s1600/1+anemo-20+-+copie.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="787" data-original-width="1181" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg96j_ET0jIOZgL9IVSW7DVAJnJDIzAHPPD-EGvAasULbf4lSGIbif5IvAQqTfljGfXEKxE1aESYpHmaWg9MXGFNNyVM2-mKaBMaAz9zLyEcydLNh5p7ODPnHgXaCtK9r3yuZgMWIZn9_g/s400/1+anemo-20+-+copie.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;">Anémochores (bambous) quai Cerneray</span></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;">Seves (branches de platane) cliché Jacques Soignon</span></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;">Axe-exact (branches de platane) cliché R.A.</span></td></tr>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2zdBde4iOA9pX1151HCLt9kl08gKgreF6IiszYjJkHyHIdiRdy-VCxyp65w-pPhFSxnDoX0ED3qH_-GD73LL2Mh1zjgAMM8LQjCGulpa2Ndxp550eXJ-S3uu_i4v3n4smVLpuGrAvXx0/s1600/5+banc-6.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="787" data-original-width="1181" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2zdBde4iOA9pX1151HCLt9kl08gKgreF6IiszYjJkHyHIdiRdy-VCxyp65w-pPhFSxnDoX0ED3qH_-GD73LL2Mh1zjgAMM8LQjCGulpa2Ndxp550eXJ-S3uu_i4v3n4smVLpuGrAvXx0/s400/5+banc-6.jpg" width="400" /></a></div>
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<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;">Murmire (miroirs, lianes) cliché R.A.</span></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;">Une installation sonore de Hughes Germain (sous le pont de la Motte Rouge), miroirs, cliché Hughes Germain</span></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;">Axe-exact, cliché: Clichés d'Aur</span></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;">cliché R.A.</span></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;">aménagement pérenne, avec le SEVE (blocs de granite, végétation) cliché R.A.</span></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;">aménagement avec le SEVE (rondins de platane)cliché R.A.</span></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;">Bord à bord (barque,bambou, platane, chataigner), cliché R.A.</span></td></tr>
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<span id="goog_1319282859"></span><span id="goog_1319282860"></span><br />MARIE-HELENE RICHARDhttp://www.blogger.com/profile/15546914846656161520noreply@blogger.com0tag:blogger.com,1999:blog-4186032158716128746.post-76091264840163136322017-12-03T19:07:00.001+01:002018-01-16T09:27:32.747+01:00Blocs, prairie du Tertre, université de Nantes <span style="font-size: large;"><span style="font-size: small;">œuvre pérenne, 21 blocs de béton brut </span><span style="font-size: small;"> </span></span><br />
<span style="font-size: large;"><span style="font-size: small;">Commande de l'université de Nantes</span> </span><br />
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<span style="font-size: small;">L'œuvre répond au souhait de l'université de relier les bâtiments à la rivière tout en procurant des assises aux étudiants et promeneurs.</span><br />
<span style="font-size: small;">En face, de l’autre côté de l’Erdre, de la mer des arbres émergent les tours immenses de Port Boyer. Les blocs de 2m3 sont comme autant de rocs, le terrain ondoie et les grandes assises semblent flotter en s’enfonçant dans la prairie verte. La terre ajoutée participe à la formation de ce relief qui suit les courbes les plus basses du terrain pour créer comme un vallon, un nouveau chemin au milieu de ces promontoires où l’on peut s’installer au dessus de la rivière. </span><br />
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<span style="font-size: small;"><br /></span>MARIE-HELENE RICHARDhttp://www.blogger.com/profile/15546914846656161520noreply@blogger.com0tag:blogger.com,1999:blog-4186032158716128746.post-4367125943193140472017-08-31T19:07:00.000+02:002017-08-31T19:07:29.737+02:00Nid de vacance<div style="text-align: center;">
<span class=" _50f4">branches de châtaignier et de noisetier, fer à béton.</span></div>
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<span class=" _50f4">Au cœur de la ferme végétale d'amis, sous les châtaigniers géants, cette construction aérienne, simple squelette de tiges de fer </span><span class=" _50f4"><span class=" _50f4">entrelacé de </span>branches, se suspend au creux de l'arbre. Du sol, elle suit la courbe du tronc pour se lier à la première branche charpentière et suivre son mouvement. Les matériaux naturels se fondent au milieu végétal et l'on grimpe se lover dans la rondeur. L'œuvre est conçue comme un abri, autant à vivre qu'à regarder.</span></div>
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<span class=" _50f4"><span class=" _50f4">Atelier des bons plants, Caden, Morbihan, août 2017</span></span>MARIE-HELENE RICHARDhttp://www.blogger.com/profile/15546914846656161520noreply@blogger.com0tag:blogger.com,1999:blog-4186032158716128746.post-18359858037720410032017-08-06T09:28:00.000+02:002017-12-04T17:48:09.809+01:00Lignes de vue <div class="MsoNormal" style="text-align: center;">
<span style="font-size: large;"><span lang="FR" style="font-family: "avenir book";"> Château fort de Ranrouët, Herbignac (44)</span></span></div>
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<span style="font-size: small;"><span lang="FR" style="font-family: "avenir book";">Bande de
polyester, carex peint, tresse dyneema, 2017 / 2018</span></span></div>
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<span style="font-size: small;"><span lang="FR" style="font-family: "avenir book";">Pour la façade Est du château de Ranrouët, la proposition
artistique joue avec les ouvertures des murs épais et la profondeur de la douve
à la végétation luxuriante. Elle part à l’assaut du vide, de l’espace libre
autour des volumes impressionnants de cette place forte conçue pour protéger
l’intérieur des intrusions.</span></span><br />
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<span style="font-size: small;"><span lang="FR" style="font-family: "avenir book";">Les lignes tendues concrétisent les trajectoires possibles de l’intérieur
vers l’extérieur, trajectoires que l’esprit fait sans cesse dans ces lieux, en
imaginant les ripostes données aux assauts contre la haute muraille, les angles
de visées derrière les meurtrières des tours, les embrasures et les journées
passées à broder aux fenêtres du logis en scrutant au dehors. </span></span></div>
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<span style="font-size: small;"><span lang="FR" style="font-family: "avenir book";">Les carex des douves, blanchis comme le reste de l’œuvre, poussent
à partir du fond, se hissent à la hauteur des fenêtres en de grandes verticales
qui pourraient représenter ceux qui cherchent à entrer.</span></span></div>
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</span><br />
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<span style="font-size: small;"><span lang="FR" style="font-family: "avenir book";">Ce jeu avec l’architecture n’est pas immobile car au moindre
souffle, les bandes blanches s’animent, vibrent et ondulent dans un ballet
graphique, léger en regard de la pierre. </span></span></div>
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<br />MARIE-HELENE RICHARDhttp://www.blogger.com/profile/15546914846656161520noreply@blogger.com0tag:blogger.com,1999:blog-4186032158716128746.post-47812959668391001542017-06-28T22:40:00.001+02:002017-12-04T17:49:31.072+01:00ForEver<br />
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<span style="font-size: small;"><span lang="FR" style="font-family: "avenir book";"><span style="font-size: medium;"><span style="font-weight: normal;">11 flèches (composite peint) et 400 cœurs (bois peint)</span></span></span></span></h2>
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<span style="font-size: small;"><span lang="FR" style="font-family: "avenir book";"><span style="font-size: medium;"><span style="font-weight: normal;">L'Art dans les Jardins, ville de Metz et centre Pompidou Metz </span></span></span></span></h2>
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<span style="font-size: small;"><span lang="FR" style="font-family: "avenir book";"><span style="font-size: large;"><span style="font-weight: normal;"> </span></span></span></span></h2>
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<span style="font-size: small;"><span lang="FR" style="font-family: "avenir book";">Dans ForEver il y a l’éternité. On aimerait que les choses durent
toujours.</span></span></div>
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<span style="font-size: small;"><span lang="FR" style="font-family: "avenir book";"> Pour les 150 ans du Jardin Botanique </span></span></div>
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<span style="font-size: small;"><span lang="FR" style="font-family: "avenir book";"><br /></span></span></div>
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<span style="font-size: small;"><span lang="FR" style="font-family: "avenir book";"> </span></span><br />
<br />
<span style="font-size: small;"><span lang="FR" style="font-family: "avenir book";">En
partant de l’idée que les hêtres les cœurs et les flèches ont un point
commun, on les trouve simultanément réunis, gravés sur les écorces des arbres, une mise en scène se développe autour du grand tronc mort. </span></span></div>
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</span><br />
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<span style="font-size: small;"><span lang="FR" style="font-family: "avenir book";">Les
flèches de l’amour ne transpercent pas ici un cœur mais directement le corps
immense. </span></span></div>
<div class="MsoNormal">
<span style="font-size: small;"><span lang="FR" style="font-family: "avenir book";">Dans les flèches traversant l’arbre on peut trouver une résonance
avec les représentations du martyre de Saint Sébastien, image élevée au rang
d’icône.</span></span></div>
<div class="MsoNormal">
<span style="font-size: small;"><span lang="FR" style="font-family: "avenir book";">Les
cœurs virevoltants autour renforcent le côté narratif et dessiné de l’œuvre. Ils opposent leur petite taille et leur
couleur vive à l’échelle formidable des arbres.
Ils nappent l’espace d’une une brume colorée et mouvante. </span></span></div>
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<br />MARIE-HELENE RICHARDhttp://www.blogger.com/profile/15546914846656161520noreply@blogger.com0tag:blogger.com,1999:blog-4186032158716128746.post-64951683138030718292017-06-17T11:32:00.003+02:002017-06-17T11:32:31.445+02:00ForEver <div class="separator" style="clear: both; text-align: center;">
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Les cœurs virvoltants de ForEver / montage de Stéphanie Langlois / juin 2017MARIE-HELENE RICHARDhttp://www.blogger.com/profile/15546914846656161520noreply@blogger.com0Metz, jardin botanique France49.1193089 6.175715599999989549.0361459 6.01435409999999 49.2024719 6.3370770999999895tag:blogger.com,1999:blog-4186032158716128746.post-74911605818203798712017-04-21T18:01:00.000+02:002017-04-21T18:01:16.593+02:00publication: portrait d'artiste dans Rêves d'intérieurs<div class="separator" style="clear: both; text-align: center;">
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<br />MARIE-HELENE RICHARDhttp://www.blogger.com/profile/15546914846656161520noreply@blogger.com0tag:blogger.com,1999:blog-4186032158716128746.post-9666377487808436772016-12-19T21:51:00.001+01:002018-01-24T12:17:51.277+01:00Onde , Geneva Lux<div class="MsoNormal">
<span style="font-family: "trebuchet ms" , sans-serif;"><span style="font-family: "trebuchet ms" , sans-serif;"><span style="font-family: "avenir light"; font-size: small;"> Festival de lumière</span></span></span><br />
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<span style="font-family: "trebuchet ms" , sans-serif;"><span style="font-family: "trebuchet ms" , sans-serif;"><span style="font-family: "avenir light"; font-size: small;">Sur la
promenade de la Treille, préservée des bruits
de circulation, dédiée aux piétons et aux jeux des enfants, la ville est à
échelle humaine. </span></span></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;"><span style="font-family: "trebuchet ms" , sans-serif;"><span style="font-family: "avenir light"; font-size: small;">L’œuvre s’inscrit
dans la symétrie de l’allée à l’atmosphère pleine de poésie, dans la
perspective des marronniers, dessinant des courbes qui semblent flotter en
l’air comme immobilisées. Une succession d’arcs blancs dont la
tension varie régulièrement produit une géométrie changeant selon le point de
vue. </span></span></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;"><span style="font-family: "trebuchet ms" , sans-serif;"><span style="font-family: "avenir light"; font-size: small;">Dans la nuit bleutée,
un éclat de lumière glissant de courbe en courbe crée le mouvement perpétuel
d’une vague: un mouvement lumineux ondulatoire
qui s’éloigne puis revient sans cesse.</span></span></span><br />
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<span style="font-family: "trebuchet ms" , sans-serif;"><span style="font-family: "trebuchet ms" , sans-serif;"><span style="font-family: "avenir light"; font-size: small;">Visible du 2 décembre au 15 janvier pendant 5 ans. <span style="color: #3d85c6;"><u><i><a href="http://www.ville-ge.ch/genevaluxfestival/" target="_blank">http://www.ville-ge.ch/genevaluxfestival/</a></i></u></span></span></span></span><br />
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<span style="font-family: "trebuchet ms" , sans-serif;"><span style="font-family: "trebuchet ms" , sans-serif;"><span style="font-family: "avenir light"; font-size: small;"><span style="color: #3d85c6;"><u><i><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjckr-0McY__KNRV0vHZCH5lhm78b1oZRg-Fi636PE4CDLpHMVe9nhyphenhyphen5aOizvxBWZn8GYDtDUfq-LeTIHY4tEzUoot0QARvJlEb9UdQ5NYMG1bjqCekZ91hCB3Wl6oF0CgujsIiqUk5zMU/s1600/onde5mail.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="787" data-original-width="1204" height="261" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjckr-0McY__KNRV0vHZCH5lhm78b1oZRg-Fi636PE4CDLpHMVe9nhyphenhyphen5aOizvxBWZn8GYDtDUfq-LeTIHY4tEzUoot0QARvJlEb9UdQ5NYMG1bjqCekZ91hCB3Wl6oF0CgujsIiqUk5zMU/s400/onde5mail.jpg" width="400" /></a></i></u></span></span></span></span></div>
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MARIE-HELENE RICHARDhttp://www.blogger.com/profile/15546914846656161520noreply@blogger.com0tag:blogger.com,1999:blog-4186032158716128746.post-16647297318827978122016-08-10T20:14:00.004+02:002016-08-13T08:05:02.173+02:00Village<span style="color: white; font-size: small;"><span style="font-family: "trebuchet ms" , sans-serif;"><span style="background-color: #999999;"><span style="color: white;">Village</span></span></span></span><br />
<span style="font-family: "trebuchet ms" , sans-serif; font-size: small;"><span style="background-color: #999999;"><span style="color: white;"><span style="color: #cfe2f3;"><u><b><span style="color: #cfe2f3;"><span style="color: #cfe2f3;"><a href="http://landart.lubelskie.pl/en/" target="_blank">LandArt Festiwal #6</a></span> </span></b></u></span>/ Stary Bubel, Pologne </span></span></span><br />
<span style="font-family: "trebuchet ms" , sans-serif; font-size: small;"><span style="background-color: #999999;"><span style="color: white;"> branches de charme peintes. </span></span></span><br />
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<span style="font-family: "trebuchet ms" , sans-serif;"><span style="background-color: #999999;"><span style="color: white;">Dix grandes branches figurant des arbres sont positionnées dans le paysage. Au dessin de c<span class="text_exposed_show">hacune,
viennent s’ajouter les formes archétypales de maisons fabriquées avec
des morceaux des mêmes branches. L’œuvre répond à la thématique du
festival qui est cette année «Dom», la maison.</span></span></span></span><br />
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<br />MARIE-HELENE RICHARDhttp://www.blogger.com/profile/15546914846656161520noreply@blogger.com0tag:blogger.com,1999:blog-4186032158716128746.post-83219243481533324552016-08-10T18:07:00.002+02:002017-03-21T16:32:41.023+01:00Il neige<style>
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<span style="font-size: small;"><span style="font-family: "trebuchet ms" , sans-serif;"><span style="background-color: #999999;"><span style="color: white;"><span style="font-family: "trebuchet ms" , sans-serif;"><a href="http://patrimoineetartcontemporain.com/" target="_blank"><b><u><span style="color: #cfe2f3;">In Situ 2016</span></u></b></a> a confié à Marie-Hélène Richard l'Hôtel Flottes de Sébazan à Pézenas</span></span></span></span></span><br />
<span style="font-size: small;"><span style="font-family: "trebuchet ms" , sans-serif;"><span style="font-size: xx-small;"><span style="font-family: "trebuchet ms" , sans-serif;"><span style="font-family: "trebuchet ms" , sans-serif;"><span style="background-color: #999999;"><span style="color: white;"><span style="font-family: "trebuchet ms" , sans-serif;"><span style="font-size: xx-small;">Commissariat: Marie-Caroline Allaire-Matte / Asso<span style="font-family: "trebuchet ms" , sans-serif;">c</span>iation <span style="font-family: "trebuchet ms" , sans-serif;">Le passe-Mura<span style="font-family: "trebuchet ms" , sans-serif;">ill<span style="font-family: "trebuchet ms" , sans-serif;">e</span></span></span></span> </span></span></span></span></span></span></span></span><br />
<span style="font-size: small;"><span style="font-family: "trebuchet ms" , sans-serif;"><span style="font-size: xx-small;"><span style="font-family: "trebuchet ms" , sans-serif;"><span style="font-family: "trebuchet ms" , sans-serif;"><span style="background-color: #999999;"><span style="color: white;"><span style="font-family: "trebuchet ms" , sans-serif;"><span style="font-size: xx-small;">Entretien par Marie-Caroline Allaire-Matte avec la collaboration de Rachele Ceccarelli</span></span></span></span></span></span></span></span></span><br />
<span style="font-size: small;"><span style="font-family: "trebuchet ms" , sans-serif;"><span style="font-size: xx-small;"><span style="font-family: "trebuchet ms" , sans-serif;"><span style="font-family: "trebuchet ms" , sans-serif;"><span style="background-color: #999999;"><span style="color: white;"><span style="font-family: "trebuchet ms" , sans-serif;"><span style="font-size: xx-small;"><span style="font-size: xx-small;">Série Rosæ <span style="font-family: "trebuchet ms" , sans-serif;">plasticæ, sacs plastiques, fil de fer, <span style="font-family: "trebuchet ms" , sans-serif;">tresse de pêche</span></span></span></span></span></span></span></span></span></span></span></span><br />
<span style="font-size: small;"><span style="font-family: "trebuchet ms" , sans-serif;"><span style="font-size: xx-small;"><span style="font-family: "trebuchet ms" , sans-serif;"><span style="background-color: #999999;"><span style="color: white;"><span style="font-family: "trebuchet ms" , sans-serif;"><span style="font-size: xx-small;"><span style="font-size: xx-small;"><span style="font-family: "trebuchet ms" , sans-serif;"><span style="font-family: "trebuchet ms" , sans-serif;"> </span></span></span><br /><span style="font-size: x-small;">MC. AM : Pour l’essentiel de votre travail, vous avez décidé de sortir du white cube de la galerie pour vous dédier exclusivement à la création d'installations in situ. Vos projets sont conçus pour établir une relation mutuelle avec l'environnement naturel ou historique. Pouvez-vous nous parler ce choix qui peut sembler radical au regard des positionnements artistiques actuels?<br />MH. R : J’ai réalisé mes premières installations simultanément dans une forêt proche de Paris et dans le Palais des études des beaux-arts, deux contextes très différents voire opposés. Toutes sortes de paysages m’intéressent. A chaque fois j’y cherche le dialogue, la confrontation, j’y attrape ce qui me semble essentiel et remets en question le lieu pour y apporter mon grain de sel. Dans les années 2000, je suis définitivement sortie de l’atelier pour pratiquer un art éphémère. On a toujours cherché à faire durer les œuvres au delà des siècles, prendre le contre-pied c’est pour moi rendre compte de la dimension éphémère de la vie. Mon travail prend en compte la durée mais aussi une échelle physique, notre corps vertical mesurant entre 150 et 200 cm ! Lorsque je pense une œuvre, je pense « être » et « autour ». Ce n’est plus le spectateur qui tourne autour de la pièce mais la pièce qui environne le spectateur. Je pourrais aussi développer cette notion d’environnement qui est plutôt « le milieu auquel nous appartenons et que nous façonnons à notre image ». La base de mon travail repose sur le rapport à la nature, le monde du sentiment, de l’harmonie initiés par le romantisme allemand</span></span></span></span></span></span></span></span></span><br />
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<span style="font-size: x-small;"><span style="font-family: "trebuchet ms" , sans-serif;"><span style="font-size: xx-small;"><span style="background-color: #999999;"><span style="color: white;"><span style="font-family: "trebuchet ms" , sans-serif;">MC. AM : Vous avez choisi d’investir les trois espaces de cet hôtel particulier: la cour, la salle et le jardin. Comment vous êtes vous déterminée pour prendre cette décision ?</span></span></span></span></span></span><br />
<span style="font-size: x-small;"><span style="font-family: "trebuchet ms" , sans-serif;"><span style="font-size: xx-small;"><span style="background-color: #999999;"><span style="color: white;"><span style="font-family: "trebuchet ms" , sans-serif;">MH. R : En visitant le lieu, je me suis attachée à chacun des espaces que l’on pourrait définir comme constitutifs d’un site fermé, assez complexe, où se succèdent les cours, les passages et les détails architecturaux qui appellent le regard. L’analyse que j’en ai faite est mon point de départ. Les cours offrent des échappées vers le ciel, la salle drapée de pierre nous ramène dans un espace plus intime. La circulation du corps et de l’œil à la découverte des multiples points de vue a inspiré cette œuvre traversante. </span></span></span></span></span></span></div>
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<span style="font-size: x-small;"><span style="font-family: "trebuchet ms" , sans-serif;"><span style="font-size: xx-small;"><span style="background-color: #999999;"><span style="color: white;"><span style="font-family: "trebuchet ms" , sans-serif;">MC. AM : Comme le souligne le titre, Il Neige, la multitude des roses semble s'envoler et se disperser poétiquement dans la cour avec la délicatesse impalpable de flocons de neige et elle ajoute une présence colorée en opposition à la minéralité des murs. Une légèreté surprenante, atteinte grâce à une recherche sur les formes et les matériaux (sac plastique, verre, bambou). Quel univers désirez-vous créer dans ce lieu d’histoire?</span></span></span></span></span></span></div>
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<span style="font-size: small;"><span style="font-family: "trebuchet ms" , sans-serif;"><span style="font-size: xx-small;"><span style="background-color: #999999;"><span style="color: white;"><span style="font-family: "trebuchet ms" , sans-serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0YjXUZfUuQs1IOpsmKdjc5PYuo0TVwXweQ5qybLzV_J8jquhLlqM6Keycg-kmSuq8_QCEC6o-VchOkjZQDn1DB80YGHxYM0Px9NRZG34jqrcvnpT0YmGX0E3zwjrDc1kmJ6uIf0KY2aw/s1600/il+neige+15+-+copie.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"> <img border="0" height="280" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0YjXUZfUuQs1IOpsmKdjc5PYuo0TVwXweQ5qybLzV_J8jquhLlqM6Keycg-kmSuq8_QCEC6o-VchOkjZQDn1DB80YGHxYM0Px9NRZG34jqrcvnpT0YmGX0E3zwjrDc1kmJ6uIf0KY2aw/s400/il+neige+15+-+copie.jpg" width="400" /></a></span></span></span></span></span></span></div>
<span style="font-size: small;"><span style="font-family: "trebuchet ms" , sans-serif;"><span style="font-size: xx-small;"><span style="background-color: #999999;"><span style="color: white;"><span style="font-family: "trebuchet ms" , sans-serif;"><br /><span style="font-size: x-small;">MH. R : La chute des roses est comme arrêtée ; et avec elle le temps. La perception du temps, ici, s’ajoute à celle de l’espace tridimensionnel. C’est là que j’en reviens toujours : la confrontation personnelle au temps, mettre le spectateur dans la fragilité de l’instant présent. L’œuvre est partout, les fleurs s’immiscent dans les moindres recoins comme une neige rose. Les fleurs, la neige sont des objets bien fugaces en regard de ces pierres anciennes qui leurs sont totalement opposées, autant par leur consistance que par leur permanence. Naturelle ? Artificielle ? La qualité de ces roses surprend. Elles appartiennent au siècle présent et l’on doit passer d’un seul coup de l’image de la beauté à celle du sac en plastique habilement transformé. <br />MC. AM : Le matériau avec lequel vous fabriquez les roses est un plastique non recyclable : peut-on voir une forme de rédemption dans le choix de récupérer ces sacs liés à la consommation de masse. Espérez-vous solliciter une réflexion éthique chez le spectateur ? <br />MH. R : Oui, bien sûr. L’abandon imminent de ces sacs plastiques qui ne peuvent finir que dans l’incinérateur ou le ventre des baleines montre à quel point ils sont nuisibles. Depuis le XVIIIe siècle nous avons considérablement évolué, pour le meilleur et pour le pire, les sciences, la chimie, les choses s’accélèrent et je ne suis pas loin de penser que l’histoire de l’apprenti -sorcier va mal se finir… Transformer un sac plastique, ce déchet de base, en symbole très « fleur bleue » de la beauté pourrait être, au fond, un geste ironique. L’usage de matériaux recyclés ou naturels n’est pas systématique dans mon travail mais lorsque j’utilise des sacs ou des bouteilles en plastique, je cherche à ce que cela fasse sens.</span></span></span></span></span></span></span><br />
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</span><span style="background-color: #999999;"><span style="color: white;"><span style="font-family: "trebuchet ms" , sans-serif;"><span style="font-size: x-small;"><span style="font-family: "trebuchet ms" , sans-serif;"><br /></span></span></span></span></span>
<span style="background-color: #999999;"><span style="color: white;"><span style="font-family: "trebuchet ms" , sans-serif;"><span style="font-size: x-small;"><span style="font-family: "trebuchet ms" , sans-serif;"><br /></span></span></span></span></span>MARIE-HELENE RICHARDhttp://www.blogger.com/profile/15546914846656161520noreply@blogger.com034120 Tourbes, France43.444856783681459 3.39644908905029343.443415783681459 3.3939275890502931 43.446297783681459 3.3989705890502928tag:blogger.com,1999:blog-4186032158716128746.post-38529367368945941662016-08-10T13:37:00.005+02:002016-08-13T07:40:17.486+02:00Bleu, blanc, rose<span style="background-color: #999999;"><span style="color: white;"><span style="font-size: small;"><span style="font-family: "trebuchet ms" , sans-serif;">Série Rosæ Plasticæ , Villevêque <br />sacs plastiques, fil de fer</span></span></span></span><br />
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<span style="background-color: #999999;"><span style="color: white;"><span style="font-size: small;"><span style="font-family: "trebuchet ms" , sans-serif;">A l'occasion de Nov'art, toutes les nuances de rose prennent place sur le fronton de la mairie, à l'emplacement du drapeau tricolore.</span></span></span></span><br />
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<br />MARIE-HELENE RICHARDhttp://www.blogger.com/profile/15546914846656161520noreply@blogger.com0tag:blogger.com,1999:blog-4186032158716128746.post-76490988975620621942016-08-10T09:40:00.000+02:002016-08-12T09:11:10.009+02:00Colooors<span style="font-family: "Trebuchet MS",sans-serif;"><span style="background-color: #999999;"><span style="color: white;"><span style="font-size: small;">Parcours d'Art actuel "A ciel ouvert", Riorges</span></span></span></span><br />
<span style="font-family: "Trebuchet MS",sans-serif;"><span style="background-color: #999999;"><span style="color: white;"><span style="font-size: small;">branchages, fer à béton, peinture</span></span></span></span><br />
<span style="font-family: "Trebuchet MS",sans-serif;"><span style="background-color: #999999;"><span style="color: white;"><span style="font-size: small;"><br />La branche est une matière première disponible couramment utilisée dans l’art in situ. On la retrouve dans les arbres juste au dessus de l’œuvre. <br />En juxtaposant des branches colorées à des branches naturelles, naît un langage visuel intriguant: une vibration multicolore se détache des dômes naturels qui semblent avoir poussé comme des champignons. <br />Il est rare de voir une brindille peinte et toute sa plasticité est rehaussée par la couleur. La branche recouverte d’une teinte monochrome s’extrait de sa propre matière pour acquérir un caractère quasi artificiel. Ces couleurs sont le fruit d’une collaboration étroite avec le public: les enfants qui investissent le parc Beaulieu, espace de détente et de jeu, sont les inventeurs des couleurs et les peintres des branches. Des adultes se sont aussi prêtés au jeu. Chaque participant a élaboré à partir des couleurs primaires sa couleur préférée. Il est impressionnant de voir avec quel plaisir on peut se livrer à la « cuisine des couleurs » !</span></span></span></span><br />
<span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;"><span style="background-color: #999999;"><span style="color: white;">Une fois achevée, l’œuvre a été ouverte aux visiteurs qui peuvent entrer à l’intérieur de ces sept coupoles en dentelle de branches reliées entre-elles par de petites ouvertures. Les jeux des enfants investissent le dedans, le dehors de cette pièce qui leurs est dédiée.</span></span></span></span><br />
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MARIE-HELENE RICHARDhttp://www.blogger.com/profile/15546914846656161520noreply@blogger.com0Parc de Beaulieu, 42153 Riorges, France46.0347201 4.044152499999995645.9465451 3.8827909999999957 46.1228951 4.2055139999999955tag:blogger.com,1999:blog-4186032158716128746.post-79136527472844712252015-10-27T10:06:00.003+01:002016-08-13T07:42:49.257+02:00Bubbles<div class="separator" style="clear: both; text-align: center;">
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</style><span style="background-color: #999999;"><span style="color: white;"><span style="font-family: "trebuchet ms" , sans-serif;"><span style="font-size: small;">Bubbles<br />Château du Coscro<br /> Lieux Mouvants, art et rencontres au cœur de la Bretagne </span><br /><span style="font-size: small;">boules de noël préparées, fil nylon</span></span></span></span><br />
<span style="background-color: #999999;"><span style="color: white;"><span style="font-family: "trebuchet ms" , sans-serif;"><span style="font-size: x-small;"><span style="font-size: small;"><br />Une myriade étincelante et légère fait pétiller l’eau des douves. C’est en franchissant le passage entre les deux canaux, que l'on plonge dans cet univers féérique. Etoiles, ébullition, brillances, champagne, prestige et scintillements. Aux boules ornementales de pierre et buis taillés viennent répondre les formes rondes et spatialisées des sphères argentées. <br />L'histoire exceptionnelle du site relève aussi de la magie: tout le jardin et sa magnifique architecture ont été exhumés durant de longs travaux d'archéologie, après des années passées sous la terre agricole. </span></span></span></span></span><br />
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MARIE-HELENE RICHARDhttp://www.blogger.com/profile/15546914846656161520noreply@blogger.com0